Working in Jingdezhen porcelain, Amy Thai extends her exploration of contrasting forces into a new material vocabulary. These floral forms, titled 'Flux' (流, Liú—meaning 'flow' in Chinese), can be displayed individually or as a pair, one lying horizontal while the other stands upright. The unglazed porcelain reveals the slightly grey colour of fired clay, its raw surface emphasizing form and texture over sheen. Flux II relates directly to a work from the marble 'Undercurrent' series, translating the stone's organic movement into porcelain's delicate strength. Together, these pieces demonstrate how Thai's artistic concerns – the tension between permanence and transformation, weight and lightness – remain consistent across radically different materials. Where marble speaks of geological time and glass captures light, porcelain brings its own tradition of fragility made durable through fire.