This sculpture stands apart in the 'Undercurrent' series through its material
history. Thai discovered an abandoned marble block that had lain in the ground,
its edges still bearing traces of that burial. Working this salvaged stone, she
carved a massive floral form in the round – meant to be seen from all sides,
with no single front or back. The rough, weathered edges contrast with the
carved interior surfaces, preserving the stone's life before the artist's
intervention. Mounted to allow rotation, the work brings together Thai's themes
of weight and movement in a piece where the marble's own past becomes part of
the sculpture's narrative. The heavy form, despite its mass, suggests organic
growth and transformation.